Stageworthy

Phil Rickaby

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Phil Rickaby is on a quest to learn as much about the Canadian theatre world as he can: Who are the people who work in theatre? What is unique about theatre communities across Canada? What is it like to be a theatremaker in Canada? What are the important issues the industry faces? Each week Phil talks to mainstream creators you may have heard of, or indie artists you should really know, all to find out what it takes to be…Stageworthy.

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4 days ago

#382 – Taylor Marie Graham

This week, host Phil Rickaby chats with award-winning playwright, Taylor Marie Graham. We take a thrilling deep dive into the heart of her play, "Corporate Finch," dissecting the complexities of its characters' relationship, the chilling plot within the confines of an abandoned factory, and how a 22-hour writing competition was instrumental in overcoming the writer's block that initially haunted her creation process. Taylor gives us her unique perspective on horror on stage, bringing to light the innovative ways she employed the physical space of the theatre to heighten suspense and tension. Our discussion takes a fascinating turn as we explore the potential of horror in theatre, drawing from the traditional presentations of horror in the theatre before film took the reins. Taylor shares her insights on how live audience, coupled with light and sound manipulation, can escalate the thrill of the genre. We also delve into the interesting challenge of staying one step ahead of the genre, and the excitement it brings. On a more academic note, we delve into Taylor's theatre course at Western University, where she scrutinizes the history of theatre in Toronto, addressing critical questions of representation and identity. As we navigate towards the tail end of our conversation, we cast the spotlight on Taylor's doctoral research on the Blythe Festival. We delve into her process of selecting pivotal moments from the theatre's history to focus on and explore the tragedy of plays that have never seen the light of day. Taylor underscores the importance of ensuring the accessibility of these unpublished plays, shedding light on their often overlooked value. We round off our conversation by addressing the evolution of theatre and its potential to challenge audiences, inviting them to revisit and re-imagine their relationship with this age-old art form. We hope you'll join us for this enlightening exploration of Canada's theatre scene, the thrill of horror on stage, and the intriguing intersections of art and academia. Bio Taylor Marie Graham is an award winning playwright, librettist, director, theatre scholar and educator from Cambridge Ontario. She joined me to talk about her play Corporate Finch, which rounds out a summer of performances with a run at IMPACT Fest in Kitchener, Ontario. In this conversation we talk about the unusual origin of Corporate Finch, taking the play to festivals around Ontario, and her how her academic practice and her artistic practice compliment each other. Here’s our conversation. taylormariegraham.com Twitter: @taylormarie_g Instagram: @taylormarie.graham Support Stageworthy Donate: tips.pinecast.com/jar/stageworthy