The Week in Art
The Week in Art
Oct 30, 2020
Has coronavirus helped unmask the real prices of art?
1 hr 7 min

This week: like the rest of the art world, the market has been upended by the pandemic. But has the turmoil forced it to be any more transparent? Do we know any more about the actual price of art? Ben Luke is joined by Georgina Adam, an editor-at-large at The Art Newspaper and art market specialist, to discuss transparency and the market. Also this week, we talk to David Blayney Brown, the curator of Turner’s Modern World, a new show at Tate Britain in London. And in this episode’s Work of the Week, the artist John Stezaker talks about a grisaille painting, Christ and the Woman Taken in Adultery, by Pieter Bruegel the Elder, in the Courtauld collection but currently on display at the National Gallery in London.




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The Art Angle
The Art Angle
Artnet News
Re-air: The Rise and Fall of Anne Geddes, Queen of Baby Photography
The Art Angle team is taking this week off for Thanksgiving, but we thought we'd share one of our favorite episodes from the past year to see you through this unconventional holiday weekend. Picture this: a doughy, apple-cheeked infant nestled in between the soft petals of a dew-kissed flower, sound asleep, like the start of a real-life fable. Almost everyone who conjures that mental image will do so using a nearly identical aesthetic—and whether you realize it or not, that’s almost entirely because of the work of legendary baby photographer Anne Geddes. After her debut photography book, Down in the Garden, soared to number three on the New York Times Bestseller list in 1996, Geddes’s wholesomely surreal infant images became inescapable. Oprah went on air to declare Down in the Garden the best coffee-table book she’d ever seen, and by late December 1997, Geddes’s publishing partners had sold more than 1.8 billion (yes, with a “b”) calendars and date books of her photography for the upcoming year. Her dizzying success soon spurred the artist to ramp up production, with a standard Geddes shoot requiring six-to-eight months of planning and a budget between $250,000 and $350,000. But who could blame her for going big? Geddes’s empire of adorable infants seemed unstoppable. Cut to 2020, however, and the picture has changed dramatically—not just for Geddes, but for an entire creative economy driven by analog photography, print publishing, and the high barriers to entry formerly associated with both. Years after smartphones first began putting increasingly high-quality cameras in nearly everyone’s pocket, and Instagram began providing masses of self-trained shutterbugs a free and wide-reaching distribution platform for their images, it’s not hyperbole to say that the pillars on which Geddes built her career have crumbled. So what’s the Queen of Baby Photography to do when her kingdom becomes unrecognizable? Back in May, Andrew Goldstein chatted with Noor Brara, Artnet’s art and design editor, about her recent profile of Geddes. Together, they discussed the artist’s rise, fall, and reckoning with culture’s digital evolution.
26 min
Talk Art
Talk Art
Russell Tovey and Robert Diament
Lauren Weedman
For the final episode of Season 7, Russell & Robert meet Lauren Weedman, best known for her standout role as Doris on HBO's television series Looking (alongside Russell!). As well as being a leading actress and comedian (not comedienne - as we discuss!!!!!!), one of her longterm passions is painting and making art. On her instagram @ThisOneIsTitled, started during lockdown, Weedman revealed 'The Quarantine Series' of unique figurative paintings, which she sells from $200 via Instagram and have become incredibly popular with collectors all over the world! As a self taught artist, including series where she makes one new work a day, we consider her link to Outsider and Outlier artworks but also explore her wide ranging artistic influences including Laura Owens, Tim Burton, David Lynch but primarily Edvard Munch and Van Gogh, whose authentic and emotional-charged works became even more important during her time spent living in Amsterdam. We also discover her love of London's very own National Portrait Gallery, in particular an installation she saw there of William Blake's death mask! Plus we introduce Lauren to the work of Grayson Perry and his recent 'Art Club' TV series which focused on ideas of creativity and the processes behind making art. Check out Lauren's paintings at her official website: www.LaurenWeedmanStudio.com which includes very cool videos of her discussing individual artworks! Follow Lauren's two Instagram accounts: @Lauren_Weedman and her art page @ThisOneIsTitled. You can watch Lauren & Russell in HBO's 'Looking' on Netflix, Amazon Prime or all good streaming services. Thanks for listening to Season 7! We will return on 4th December 2020 with a brand new Season 8, so fear not, we have another art-thrill-ride lined up for you!!! For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon. For all requests, please email talkart@independenttalent.com   See acast.com/privacy for privacy and opt-out information.
1 hr 12 min
About Buildings + Cities
About Buildings + Cities
Luke Jones & George Gingell Discuss Architecture, History and Culture
75 — Jane Jacobs — 1/2 — Eyes on the Street
The first episode in a two-part series on Jane Jacobs, a profoundly influential writer, thinker and campaigner on issues of urbanism, whose magnum opus 'The Death and Life of Great American Cities' (1961) forms the backbone of our discussion. In it, Jacobs lays out an idealised vision of tight-knit, dense communities, inspired by her time living in Greenwich Village, Manhattan. It is a vision of an interconnected, urban way of life dominated by local small-scale agents: families, independent businesses and community ties from which emerge vitality, security and comfort in densely populated streets of tenements with wide sidewalks and endless lines of sight across the bustling public spaces. Jacobs' work was a rejection of many sacred cows of modernist planning, espoused by architects and bureaucrats alike: questions of density, scale, urban grain, transportation and space. Jacobs felt that their efforts rarely supported the vitality and energy she found so alluring in the tenements of Greenwich Village. Subscribe to our Patreon for a discussion of one of the infrastructure projects Jacobs campaigned against: Robert Moses and the Lower Manhattan Expressway. Also, we just reached 1 million listens on this feed! Thank you so much for all your support, we couldn't have done it without you. Remember to tell a friend, and give the show a review if you enjoyed it. Our sponsor for this episode is Blue Crow Media, who produce gorgeous architectural maps of different cities, including Pyongyang, Tbilisi and New York. Use the offer code aboutbuildings for 10% off your next purchase! Edited by Matthew Lloyd Roberts. Support the show on Patreon to receive bonus content for every show. Please rate and review the show on your podcast store to help other people find us! Follow us on twitter // instagram // facebook We’re on the web at aboutbuildingsandcities.org This podcast is powered by Pinecast.
Savvy Painter Podcast with Antrese Wood
Savvy Painter Podcast with Antrese Wood
Conversations about the business of art, inside the artist studio, and plei
From Sketching Handbags to Creating Reclaimed Earth Colors and More: An Interview with Artist, John Sabraw
Have you ever felt like you just don’t “fit in” at non-artist gatherings? What do you do with that feeling? Do you shrink back and retreat to the safety of your peers and insulate? Or do you press into the discomfort and forge your path? Everyone’s story is going to be different and that’s the beauty of our corner of society, we embrace the mosaic of diversity - but what would it look like if we were to integrate our creative outlook with other areas? That’s where my guest and talented artist, John Sabraw comes in! Hailing from Lakenheath, England, John is an activist and environmentalist - his paintings, drawings, and collaborative installations are produced in an eco-conscious manner, and he continually works toward a fully sustainable practice. In our conversation, John opens up about his time working with Kerry James Marshall and how he got involved with Gamblin and producing their reclaimed earth colors. Trust me, you’ll find John’s perspective refreshing and engaging - I know I did! Throwing it all away You know those days where you feel like tossing everything in your studio in the garbage? Imagine doing that and then getting an invitation to Washington DC to meet members of Congress because your art was selected as the winner of a competition. Sounds crazy, right? It actually happened to John Sabraw! As he struggled in high school and tried to decipher the way he wanted his life to go, John reached a breaking point where he just had to walk away. He took all his artwork that he had completed in his high school art class and tossed it in the dumpster and then took off for a week. When he returned, what he saw changed the course of his career - his teacher had entered him into a contest and he had won! John’s journey wasn’t all smooth sailing from there - he faced setbacks and challenges but this initial success helped see the talent he had honed. Speaking your truth How does your truth, your authenticity show up in your artwork? Do you try to embrace it or do you try to go in a different direction? As the United States was gearing up for the Iraq war in 2003, John felt like he needed to speak out and share his conviction that war was not the answer with his art. The result was a fierce backlash that made John rethink his approach and if he wanted to make a stand that would continue to incur this type of reaction from people. John didn’t back down, he just decided to change his approach - this launched him on the path to his work with sustainability and activism. Exploring sustainability Imagine visiting a community ravished by the scourge of industrial waste and environmental destruction and finding in that mess and contamination a way to create sustainable paint colors. No, this isn’t a pipe dream, this actually happed with John’s efforts to collaborate with scientists on many projects. One of his current collaborations involves creating paint and paintings from iron oxide extracted in the process of remediating polluted streams. I hope you are as inspired by John’s story as I have been - make sure to check out images of John’s artwork located at the end of this post! Outline of This Episode * [2:50] I introduce my guest, John Sabraw. * [4:00] How did John get started as an artist? * [18:30] John describes his artwork. * [25:00] Speaking authentically and truthfully. * [27:30] Exploring sustainability. * [33:00] How artists can help with creative problem-solving. * [45:00] Why we need more artists who speak up and break out of their silos. * [52:00] You don’t have to be an expert to contribute to the conversation. * [55:00] Closing thoughts. Other artists mentioned on this episode * Savvy Painter Anti-Racist Episode * Jacob Lawrence * Kerry James Marshall Resources Mentioned on this episode * www.johnsabraw.com * TED talk: www.ted.com/talks/john_sabraw_how_i_make_paint_from_poison * Gamblin Reclaimed Colors: https://gamblincolors.com/reclaimed-earth-colors/
1 hr 2 min
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