Every ounce of his being is focussed on discussing video games, cats and the popular music of the day. He live in Moseley in Birmingham.
The Christmas season begins with Mark talking to Daz Wright of Moselele, about the best songs to ring in the festivities.
Daz is a musician, and a founder-member of the Birmingham-based ukulele group Moselele. He’s also a big fan of Christmas, and delivered a sack full of joy to the List Envy studio, along with an honest-to-goodness Christmas cracker and actual sleigh bells.
The pair discuss this real-world survival game. Like many pure things, Whamageddon has been co-opted by the corporate world, so we’ll stick with the original rules rather than those imposed by the Bauer Media corporation, who have attempted to make it their thing recently.
In order of discussion:
This is, for Daz, a perfect Christmas song, as it falls into one of the main categories: nostalgia, a description of the Christmas day or event, and a shameless emotional trigger… and perhaps it embodies all three.
The Oasis cover Mark refers to was not done for the BBC’s Live Lounge series, but for the NME in a joint venture with the War Child charity.
A late addition to Daz’s list, Step into Christmas is nothing if not meta, opening with the line “welcome to my Christmas song”. Daz calls it shameless, but you can be the judge.
You were promised that your ears would remain a Wham!-free zone, so the demonstrative track for this segment is brought to you by courtesy of the Crazy Frog (who still has 6.5 million YouTube subscribers). Daz enjoys that Last Christmas embodies the spirit of the day (as per his third category of Christmas song success).
Despite Daz describing Mariah’s vocal opening as “warbling nonsense”, he enjoys the chunka-chunka piano that follows… and frankly, who doesn’t? This easily satisfies the “emotional trigger” item of Daz’s Christmas song checklist, and who among us doesn’t want to be wholly owned by a quasi-religious semi-fictional wizard?
Following on from, and largely borrowing from the success of It’s Raining Men, Dear Santa, Bring Me a Man this Christmas (Part 1) is pretty much the same song, but festive. If you haven’t watched the video, now’s your chance.
In order of discussion:
Mark enjoys this quiet and conemplative ballad, that Daz describes as one of the more musically interesting festive offerings. But sadly, the line “the Christmas we get, we deserve” was not enough to make it Christmas #1, which ended up that year being Queen.
Mark feels there is a “Dickens quality” to this story song (to be fair, it does start with the line “Bah humbug”), about loneliness and romance, leading to a joyful and merry Christmas day.
Anyone who’s offended by the lyrics towards the end of this song has our axe, and there’s an argument to be had around the specific meaning of the word in that time and context, but for now, let’s focus on the fact that it’s a winter banger, and a wonderful piece of Christmas melancholia.
It took eight songs before the pair got to one that actually described the li’l baby Jesus, but here we are. It’s.a crooner’s song, and pretty sappy, but it does fall squarely in that mid-70s bracket that seems to categorise Christmas songs.
If you’re offended by any of the lyrics in this song, you’re a child and you don’t know what ...