Edge of Sports
Edge of Sports
Nov 24, 2020
Sportswriting Trailblazer Melissa Ludtke
Play • 1 hr 10 min
This week we speak to Melissa Ludtke about her legendary career, her iconic lawsuit that broke many barriers for women sportswriters, and women in sports broadly. We talk to Melissa about the elevation of Kim Ng to general manager of the Marlins, the first in North American male sports. 

We also have “Choice Words” about Colin Kaepernick’s decision to highlight political prisoner Mumia Abu-Jamal and the struggle of political prisoners everywhere. In addition, we have “Just Stand Up” and “Just Sit Down” awards to the young men at the NBA Draft that displayed black lives matter on such an important day in their young lives and the locker room culture at Penn State, an institution that finds itself under scrutiny again due to heinous allegations. All this and more on this week’s show!

Melissa Ludtke
Twitter: @MelissaLudtke

Zirin, Colin Kaepernick Speaks Out for Mumia Abu-Jamal

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Talkhouse Podcast
Talkhouse Podcast
Talkhouse
Robin Pecknold (Fleet Foxes) with Elijah Wolf
On this week’s Talkhouse Podcast, we bring together a pair of singer-songwriters who share a love of intimate, thoughtful compositions and recordings. Robin Pecknold has been the chief creative mind behind Fleet Foxes since the band’s beginnings back in 2005; the latest Fleet Foxes album was surprise-released in September of 2020, and Shore was met with lots of well-deserved love. Elijah Wolf is just starting out on his career. The Brooklyn-based singer-songwriter was raised in upstate New York, and was a fan of Fleet Foxes before a chance meeting with Pecknold in a New York guitar shop. Wolf, who was working at Crandall Guitars, was playing music by a band called Holy Hive in the store, and it turned out that both Pecknold and Wolf were friends with that band. They got to know each other and started sharing works-in-progress with each other during the pandemic. Pecknold’s songs would end up on Shore, and Wolf’s would become his first album, Brighter Lighting, which is due out February 26 on Trash Casual Records. Both records, funnily enough, feature drummer Josh Jaeger—it’s a small world after all. The two songwriters get into a great chat about their process, their pandemic work strategies, and the idea of what defines an album. Enjoy the talk, and subscribe now to stay in the loop on future episodes. This week’s episode was produced by Kevin O’Connell, and the Talkhouse Podcast theme is composed and performed by The Range.
33 min
The Deadpod
The Deadpod
J.Henrikson
Dead Show/podcast for 1/22/21
It's a new year but I've decided to go *way* back for some primal Dead on this week's Deadpod. This comes to us from January 17th, 1968 at the Carousel Ballroom in San Francisco. What a treasure of early/classic tunes we have here! Now I'll admit, the sound is sometimes muddy and the vocals are at times less than clear.. however give the age and provinance of this recording I thought it very worth listening to and hope you enjoy it as well. Some of the highlights of course are Pigpen on the Lovelight, and check out the fast pacing throughout. Jerry sounds so different on China Cat! I always love hearing the old 'New Potato Caboose' and 'Born Cross-eyed', but what is probably the highlight is the great almost 16 minute 'Spanish Jam'. The sound is psychedelic throughout, and if you can overlook the flaws I think you will enjoy this return to some of the roots of our favorite band! Grateful Dead Carousel Ballroom San Francisco, CA 1/17/68 - Wednesday One Turn On Your Love Light [15:22] % Dark Star [#4:48] > China Cat Sunflower [4:04] > The Eleven [10:01] > New Potato Caboose [8:30] > Born Cross-Eyed [2:34] > Spanish Jam [15:47] Two Beat It On Down The Line [2:52] ; Morning Dew [7:43] ; Cryptical Envelopment > The Other One > Cryptical Envelopment [10:05] ; Good Morning Little Schoolgirl [13:49] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod012221.mp3 Thanks for your kind support of the Deadpod! ... and leave it on!
1 hr 37 min
In the Envelope: The Actor’s Podcast
In the Envelope: The Actor’s Podcast
Backstage
Olivia Cooke
Inspired to try acting at a young age and single-mindedly focused on it ever since, Olivia Cooke has appeared in some of the most acclaimed film and TV projects of the last decade, reinventing herself on screen each time. Her “In the Envelope” interview is a crash course in several key tricks of the trade: accent work, self-tape advice, even the nuances of crying. Inhabiting a character inside and out, she says, requires selfless collaboration and detailed backstories. “Otherwise, you’re coming in as you and you’re wearing funny clothes.... You’ve got to convince yourself.” Hailing from Oldham, Greater Manchester, Olivia acted onstage in youth theater groups before booking BBC miniseries “Blackout” and “The Secret of Crickley Hall.” After not being accepted to drama training programs, she focused on screen work, breaking out in “The Quiet Ones” and, across the pond, the “Psycho” prequel series “Bates Motel.” She’s starred in “Ouija,” “Me and Earl and the Dying Girl,” “Thoroughbreds,” “Ready Player One,” “Vanity Fair,” and recently, “Pixie,” “Little Fish,” and Darius Marder’s Gotham Award–winning film “Sound of Metal.” Next she’ll lead the “Game of Thrones” prequel series “House of the Dragon.” For more, read Olivia’s 2018 Backstage cover story: https://bit.ly/2NtUNDf This episode is brought to you by Amazon Studios. For more on “Sound of Metal,” check out the interview with star Riz Ahmed over at Backstage.com: https://bit.ly/2Ku7BrS --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard, Alysa Cirelli - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis
57 min
And The Writer Is...with Ross Golan
And The Writer Is...with Ross Golan
Big Deal Music // Mega House Music
Ep. 113: Luke Combs
Hailed as “the most promising and influential new country star of the last five years" by The New York Times, he is a multi-platinum, ACM, CMA, CMT, and Billboard Music Award-winning artist from Asheville, NC. His new deluxe album, What You See Ain't Always What You Get, recently debuted at #1 on the all-genre Billboard 200 chart as well as Billboard’s Top Country Albums chart. It also set the new weekly streaming record for a country album with 102.26 million on-demand streams, breaking his own record, which was set last November with the release of his platinum-certified, global #1 album, What You See Is What You Get. The new deluxe album features all 18 tracks from What You See Is What You Get as well as five new songs including “Forever After All,” which debuted at #2 on the all-genre Billboard Hot 100 chart—the highest entrance ever for a male country solo artist. Adding to a series of groundbreaking and historic years, Combs recently made history as the first artist ever to have their first two studio albums spend 25 weeks or more at #1 on Billboard’s Top Country Albums chart—breaking Taylor Swift’s previously held record at 24 weeks. The achievement comes as What You See Is What You Get topped the chart for the 25th time, while his 2017 debut, This One’s For You, has spent 50 non-consecutive weeks at #1—tying the record for the longest reign atop the chart. Moreover, Combs recently won two awards at the 55th ACM Awards, three awards at the 2020 Billboard Music Awards, and two awards at the 54th CMA Awards. Continuing his triumphant run at country radio, Combs’ recent single, “Lovin’ On You,” spent multiple weeks at #1 on both the Mediabase/Country Aircheck chart and the Billboard Country Airplay chart. This is Combs’ ninth-consecutive #1 single—a first on Billboard’s Country Airplay chart—as well as his eighth single to spend multiple weeks at #1. His current single, “Better Together,” is already top 10 at country radio and rising. And The Writer Is… Luke Combs! Artwork: Michael Richey White   See acast.com/privacy for privacy and opt-out information.
55 min
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