Popcast
Popcast
Oct 22, 2020
The Many Mariah Careys
1 hr 5 min

A conversation about her memoir, her range of contributions to pop music and her secret alt-rock album. Guests: New York's Allison P. Davis; Joe Coscarelli and Caryn Ganz.

The Cinematography Podcast
The Cinematography Podcast
The Cinematography Podcast
Wally Pfister, director/cinematographer PART 2: Inception, Moneyball, The Dark Knight Rises, winning an Oscar, moving into directing, and listener questions
We continue our conversation with Oscar winning cinematographer Wally Pfister- don't miss Part 1. When much of the film world was going digital, Christopher Nolan and Wally began to experiment with large-format IMAX cameras. They had used the IMAX format for some of the visual tricks on The Prestige, and Wally was excited to try shooting more on The Dark Knight and The Dark Knight Rises. Wally did lots of tests with lighting and specially created IMAX lenses, which have a massive frame and shallow depth of field. Just after The Dark Knight, Wally was hired to DP Moneyball with director Bennett Miller. He decided to take a more dramatic and moody approach for lighting the baseball games, rather than using conventional, flat stadium lighting. After doing some tests, he was able to convince Miller that the scenes still looked like a baseball stadium, only better. Once Wally saw the script for Inception, he knew there would be several logistical challenges: shooting hand-held chase scenes in the snow, and of course, the rotating hallway scene. Christopher Nolan still preferred to do most of what was seen on-screen in camera, as a practical effect rather than with computer generated VFX added later. Nolan wanted a James Bond aesthetic for the film, with naturalistic lighting and a loose, hand-held feel. It was Wally and Nolan's sixth film as a team, so it was easy to work together during pre-production, even while working out the most technical scenes. A huge rotating rig was built for the famous gravity-defying hallway scene. Wally installed practical lighting into the rotating cylindrical set, with one camera affixed to the floor, so it does not appear to rotate, and a second camera that rotated with the set. Wally won the Academy Award for Best Cinematography for Inception, after being nominated four times. It was a huge honor, and he was very proud of his work on the film. Once he'd won, it changed his life- so much so, he decided to move into directing. He directed his first feature film, Trancendence, starring Johnny Depp and executive produced by Nolan. It was a huge challenge for him to let go of being in control of the photography and to find the right DP and a good camera operator. Since directing Trancendence, Wally has enjoyed directing commercials. But on set, he'll still act as director of photography, lighting the sets, and directing the actors and the camera operator while watching on the monitors. Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep102/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
1 hr
Switched on Pop
Switched on Pop
Vox
The Cyndi Lauper Conspiracy (with Sam Sanders)
Every song Cyndi Lauper writes is pop perfection according to Sam Sanders, host of NPR’s “It’s Been A Minute.” Many fall for “Girls Just Want To Have Fun,” but Sanders's favorite song is the slow burner “All Through The Night,” save for one moment: the synthesizer solo. For Sanders, this solo never fit in. Charlie investigates the source of his musical malady and uncovers how the 80s got its groove.  Songs Discussed Cyndi Lauper - Girls Just Want To Have Fun Cyndi Lauper - Time After Time Cyndi Lauper - She Bop Cyndi Lauper - All Through the Night Janet Jackson - When I Think Of You Janet Jackson - The Pleasure Principle Janet Jackson - Nasty Kenny Loggins - Danger Zone Whitney Houston - Greatest Love Of All Queen - Who Wants To Live Forever Tina Turner - What's Love Got To Do With It Cyndi Lauper - Change Of Heart Phil Collins - In The Air Tonight Kim Carnes - Bette Davis Eyes Tom Petty - You Got Lucky Cars - Lets Go Talking Heads - Burning Down The House Parliament Funkadelic - Atomic Dog The Weeknd - Blinding Lights Dua Lipa - Physical Little Mix - Break Up Song Miley Cyrus - Heart of Glass (Blondie Cover) More Read Dr. Megan L. Lavengood's research on the DX7: https://meganlavengood.com/research/ Listen to Dave Smith's (recently re-released) Sequential Prophet 5 synthesizer: https://www.sequential.com/product/prophet-5/ Learn about William Wittman's production credits on Discogs: https://www.discogs.com/artist/170639-William-Wittman Learn more about your ad choices. Visit megaphone.fm/adchoices
37 min
And The Writer Is...with Ross Golan
And The Writer Is...with Ross Golan
Big Deal Music // Mega House Music
Ep. 107: Lauren Christy
Today’s guest is a Grammy-nominated songwriter, producer, artist, and record label executive. Her journey into music began at the age of five when she found a piano buried in the garden at her parents’ house in South London. By the age of 19, she was recording her own songs, and soon after, she signed her first publishing deal with Allen Jacobs at EMI. And at 22, she signed a record deal at Mercury Records (with Tom Vickers and Ed Eckstine), relocated to Los Angeles, and started work on her first album. Her debut album self-titled garnered her a nomination for Best New Artist at the 1994 American Music Awards. Her single “The Color of the Night” was a top 10 hit on Adult Contemporary radio and also landed her a nomination for Best Song in a Motion Picture at the Golden Globes. As she started a family, she reinvented herself as the co-creator of The Matrix. Alongside creative partners Graham Edwards and Scott Spock, the trio wrote and produced Avril Lavigne’s worldwide phenomenon album ‘Let Go’ which included three international No. 1 hits: “Complicated,” “Sk8er Boi,” and “I’m With You”. For “Complicated,” the Matrix trio won the Ivor Novello Award for International Hit of The Year. The Matrix also received seven Grammy nominations including Producer of the Year (she is one of 7 women to ever be nominated). She is also a two-time Juno Award winner and a BMI Songwriter of the Year Award recipient. The Matrix has sold more than 30 million records and has worked with artists including Avril Lavigne, Jason Mraz, Shakira, Liz Phair, Korn, David Bowie, Christina Aguilera, Ricky Martin, Britney Spears, Rihanna, and Greyson Chance among many others. Her independent work includes Enrique Iglesias’s worldwide No. 1 hit “Tonight I’m Loving You,” as well as songs with Kelly Clarkson, Jason Derulo, Bebe Rexha, Iggy Azalea, Avril Lavigne, The Struts, and more. Recently she started her record label, Youth Be Served Records (YBS Records). The first signing is artist Jenn Bostic, whose ‘Take My Hand EP’ entered the iTunes Christian chart at No. 11. And her second signing is Australian artist Tassia Zappia, who is in the studio now with an expected release during 2020. And The Writer Is...Lauren Christy! This episode is sponsored by BMI. Art: Michael Richey White   See acast.com/privacy for privacy and opt-out information.
58 min
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