Marketplace
Marketplace
Oct 19, 2020
China shows what a coronavirus recovery could look like
28 min

China’s GDP rose 4.9% in the third quarter, driven in large part by a resurgence of consumer spending. Today, we’ll dig into China’s post-coronavirus economy. Plus: how the pandemic is changing pharmacies, the lithium rush and rising housing insecurity.

The Ezra Klein Show
The Ezra Klein Show
Vox
The most important book I've read this year
If I could get policymakers, and citizens, everywhere to read just one book this year, it would be Kim Stanley Robinson’s The Ministry for the Future.  Best known for the Mars trilogy, Robinson is one of the greatest living science fiction writers. And in recent years, he's become the greatest writers of what people now call cli-fi — climate fiction. The name is a bit of a misnomer: Climate fiction is less fictitious speculation than an attempt to envision a near future that we are likely to inhabit. It’s an attempt to take our present — and thus the future we’re ensuring — more seriously than we currently do. Robinson’s new book does exactly that.  In The Ministry for the Future, Robinson imagines a world wracked by climate catastrophe. Some nations begin unilateral geoengineering. Eco-violence arises, as people begin to begin experience unchecked climate change as an act of war against them, and they respond in kind, using new technologies to hunt those they blame. Capitalism ruptures, changes, and is remade. Nations, and the relations between them, transform. Ultimately, humanity is successful, but it is a terrifying success — a success that involves making the kinds of choices that none of us want to even think about making.  This conversation with Robinson was fantastic. We discuss why the end of the world is easier to imagine than the end of capitalism; how changes to the biosphere will force humanity to rethink capitalism, borders, terrorism, and currency; the influence of eco-Marxism on Robinson’s thinking; how existing power relationships define the boundaries of what is considered violence; why science-fiction as a discipline is particularly suited to grapple with climate change; what a complete rethinking of the entire global economic system could look like; why Robinson thinks geoengineering needs to be on the table; the vastly underrated importance of the Paris Climate Agreement; and much more. References: "'There is no planet B': the best books to help us navigate the next 50 years" by Kim Stanley Robinson My conversation on geoengineering with Jane Flegal The Ezra Klein Show climate change series Book recommendations: Unsheltered by Barbara Kingsolver  The Arrest by Jonathan Lethem  Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk Credits: Producer/Audio engineer - Jeff Geld Researcher - Roge Karma Please consider making a contribution to Vox to support this show: bit.ly/givepodcasts Your support will help us keep having ambitious conversations about big ideas. New to the show? Want to check out Ezra’s favorite episodes? Check out the Ezra Klein Show beginner’s guide (http://bit.ly/EKSbeginhere) Want to contact the show? Reach out at ezrakleinshow@vox.com Learn more about your ad choices. Visit megaphone.fm/adchoices
1 hr 37 min
Sway
Sway
New York Times Opinion
In Hollywood, Women Are Seen as ‘a Risk’
Marielle Heller had her big acting break in “The Queens Gambit,” a chess drama that has already been viewed on Netflix by over 60 million households. But prior to her performance as Alma Wheatley, Ms. Heller was already a big name — off the screen. She directed award-winning films like 2019’s “A Beautiful Day in the Neighborhood” and 2018’s “Can You Ever Forgive Me?” Female directors remain a minority in the U.S. film industry, and Ms. Heller has spent her career navigating what she describes as a male-dominated Hollywood “machine.” “I do think there’s a weird stigma where people probably think that female directors are a risk,” Ms. Heller says, explaining that people “watch a male director make one little indie that comes out of Sundance and they go, ‘I see potential in that kid.’ And then they watch a female director come out of Sundance and make one little indie and they go: ‘That was excellent. I’ll wait to see her next movie to see if she gets a job.’” In this episode of “Sway,” Ms. Heller and Kara Swisher discuss what it’s like to be “difficult” women, why Hollywood lets Tony Soprano get away with murder but worries that female characters are “unlikable,” and how Ms. Heller — despite all her directorial acclaim — still gets offered 30 to 40 percent less pay than men who do the same job. You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.
35 min
Left, Right & Center
Left, Right & Center
KCRW
Politics of culture
2020 has been a difficult year. Keli Goff hosts this special episode of Left, Right & Center about how art gets us through tough times, and how it can move us politically too. You’ll hear from four creators and thinkers on the persuasive power of the arts and what pieces they’ve turned to for inspiration and comfort. You might walk away with a new favorite song or play. Stan Zimmerman wrote one of 2020’s favorite TV series: “The Golden Girls.” In April, Hulu viewers watched nearly 11 million hours of the show. Zimmerman talks about why the show was ahead of its time, and why so many shows are seeing a resurgence during a stressful year. Musician Nile Rodgers might be the reason some of your favorite songs exist. Rodgers is one of the most successful songwriters and musicians ever. He co-founded Chic, and he has producing and songwriting credits with David Bowie, Diana Ross, Duran Duran, Madonna, Diana Ross, Sister Sledge, Lady Gaga, Daft Punk, and more. He and Goff jam out to “We Are Family” (which he co-wrote) and talk about how certain songs have moved the world. Award-winning playwright Dominique Morisseau talks with Goff about the power of live performance (something we’re missing right now), why theater is still closed off to many people of color, the role of critics and the canon, “Hamilton,” and more. And to wrap it up, Goff talks with Rashad Robinson, president of the civil rights organization Color of Change. Rashad talks about the impacts of celebrity on social movements, the power of icons, and why Hollywood and the arts matter to those who dream of and work toward a more equitable future.
50 min
Search
Clear search
Close search
Google apps
Main menu