Coronacast
Coronacast
Oct 22, 2020
We can't be cut off from the world forever. How do we reopen?
10 min
As Australian states and territories take small steps to reopening internal borders, it raises the question of when international borders might be able to reopen too.

Closing the country's borders with the rest of the world has been successful in managing the risk of coronavirus entering Australia undetected.

But at the moment we have a very simple one size fits all approach: every single international arrival, except for New Zealand, goes into mandatory 14 day quarantine.

So is it time to rethink it?

On today's show:

* With an outbreak in Melbourne's northern suburbs, is the city ready to reopen?

* Rethinking our international border restrictions. Could we reopen to more countries?

And it's also time for another round of Quick Fire Friday!
How to Save a Planet
How to Save a Planet
Gimlet
If Miami Will Be Underwater, Why Is Construction Booming?
Miami Beach could be mostly underwater within eighty years, but construction of new beachfront properties is booming. What’s behind this disconnect? To find out, writer Sarah Miller went undercover posing as a high end buyer to meet with real estate agents across the city. Here’s the story of what she found. Sarah Miller’s piece, along with 40 other amazing essays by women at the forefront of the climate movement, appear in the book Ayana co-edited with Dr. Katharine Wilkinson, All We Can Save: Truth, Courage, and Solutions for the Climate Crisis. To find out more about the book and all of the contributors, visit allwecansave.earth. The essay is read by actor Julia Louis-Dreyfus, as excerpted from the star-studded audiobook for All We Can Save. Calls to action Check out this map of sea level rise projections from the National Oceanic and Atmospheric Administration (NOAA) to see what areas we likely to become inundated. Check out the rest of the climate anthology that Ayana co-edited, All We Can Save: Truth, Courage, and Solutions for the Climate Crisis, at allwecansave.earth. Since we’re a podcast, we recommend checking out the audiobook version, which includes America Fererra, Janet Mock, Sophia Bush, Ilana Glazer, and Jane Fonda among the readers. If you take an action we recommend in one of our episodes, do us a favor and tell us about it! We’d love to hear how it went and what it felt like. Record a short voice memo on your phone and send it to us at howtosaveaplanet@spotify.com. We might use it in an upcoming episode.
26 min
Sway
Sway
New York Times Opinion
In Hollywood, Women Are Seen as ‘a Risk’
Marielle Heller had her big acting break in “The Queens Gambit,” a chess drama that has already been viewed on Netflix by over 60 million households. But prior to her performance as Alma Wheatley, Ms. Heller was already a big name — off the screen. She directed award-winning films like 2019’s “A Beautiful Day in the Neighborhood” and 2018’s “Can You Ever Forgive Me?” Female directors remain a minority in the U.S. film industry, and Ms. Heller has spent her career navigating what she describes as a male-dominated Hollywood “machine.” “I do think there’s a weird stigma where people probably think that female directors are a risk,” Ms. Heller says, explaining that people “watch a male director make one little indie that comes out of Sundance and they go, ‘I see potential in that kid.’ And then they watch a female director come out of Sundance and make one little indie and they go: ‘That was excellent. I’ll wait to see her next movie to see if she gets a job.’” In this episode of “Sway,” Ms. Heller and Kara Swisher discuss what it’s like to be “difficult” women, why Hollywood lets Tony Soprano get away with murder but worries that female characters are “unlikable,” and how Ms. Heller — despite all her directorial acclaim — still gets offered 30 to 40 percent less pay than men who do the same job. You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.
35 min
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