SPS-250: Book Ad Tips to Boost Your Author Business - with Nicholas Erik
1 hr 2 min

Sci-fi author Nicholas Erik is here to share his crack tips on book ads with indies looking to deliver some oomph to their marketing mix

Fiction Writing Made Easy
Fiction Writing Made Easy
Savannah Gilbo
The 6 Scenes Every Thriller Novel Needs
*In today's episode, we're going to talk about the key scenes that every thriller novel needs to have in order to work and to satisfy fans of the genre.* Here's a preview of what's included: [01:18] Thrillers combine all the criminality and suspense of a good detective novel with the danger and life and death stakes from the action or horror genre. Usually, these stories center around a protagonist who's focused on stopping a future crime from happening. [01:40] Readers choose thriller novels because they want to experience the thrill of trying to outsmart and stop the villain before he or she commits more crimes -- all from the comfort of their own homes. And like all genre fiction, you have to deliver the emotional experience readers are looking for in order for your story to work. [02:15] Obligatory scenes are the key events, decisions, and discoveries that move a protagonist along their journey from point A to point B. They help us writers craft a story that works AND a story that will deliver a specific emotional experience. [03:55] Key scene #1: A scene where a crime is discovered. [04:45] Key scene #2: A scene where the stakes become personal for the protagonist and they commit to stopping the antagonist. [05:55] Key scene #3: A scene where the protagonist learns what the antagonist wants and why. This scene helps to shift the protagonist from being reactive to proactive and helps them recommit to stopping the antagonist. [06:55] Key scene #4: A scene where the protagonist learns or does something that sets them up to be the antagonist’s final victim. [7:55] Key scene #5: A scene where the protagonist is at the mercy of the antagonist. [8:45] Key scene #6: A scene where readers learn whether justice prevailed or not. [9:45] Key points and episode recap. *Subscribe & Review in Apple Podcasts* Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts! If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance! *Links mentioned in this episode:* * Episode Freebie: Thriller Genre Key Scenes PDF Cheat Sheet * Thriller Obligatory Scenes: The 6 Scenes Every Thriller Novel Needs (article) * Thriller Genre Conventions: The 10 Things Every Thriller Novel Needs (article) P.S. Did you know that I have a Facebook group just for fiction writers? In this private group, we talk about all things writing, editing, and publishing fiction. It's free to join and you can request access here. Hope to see you there!
12 min
writing class radio
writing class radio
andrea askowitz and allison langer
How Does a Man Get Away with Calling Women Bitches and Hoes in a Story?
Today’s episode is the last in a series called Home. Writing Class Radio helped produce a documentary with Chapman Partnership, a homeless center in South Florida, exploring the meaning of home. Our documentary will air on PBS, date (tba). On this episode, you will hear a story by Marvin Jenkins, a past student, poet, Boeing employee, and dad. Marvin lost his home after he wrote an explicit text message to his girlfriend’s best friend and she kicked him out. Marvin has always been in love with Serena, but drugs got the best of him.  Marvin’s essay is a great example of how taking responsibility for your actions in a story creates a reliable narrator. The voice in this essay also exemplifies how you can say ugly things, if you own that they are ugly.  Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). This episode of Writing Class Radio is produced by Matt Cundill of Sound Off Media Company, Andrea Askowitz and Allison Langer. Mia Pennekamp is our media specialist. Theme music by Ari Herstand. Additional music by Podington Bear. There’s more writing class on our website (www.writingclassradio.com), Facebook (https://www.facebook.com/writingclassradio/), Instagram and Twitter (@wrtgclassradio). If you love the lessons you get on each episode, you can get them ALL in one place--our three-part video series--for $50. Click Video Classes on our website. Writing Class Radio is open to submissions from our listeners. Go to the submissions page on our website for guidelines. We pay! If you want to be a part of the movement that helps people better understand each other through storytelling, follow us on Patreon. For $10/month Andrea will answer all your publishing questions. For $25/month you can join Allison’s First Draft weekly writers group, where you can write and share your work. Go to www.Patreon.com/writingclassradio or click here to support us. Thank you for listening! Everyone has a story. What's yours?
18 min
Clear search
Close search
Google apps
Main menu