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In 19th century England, landscape painting transitioned into being something lovely and comparatively calm, and transformed into a personal and stylistic battleground. Landscape: pristine and idealized, or rough, ready, and turbulent? Which one would better express the heart of 19th century British painting?
This is the second of three episodes in collaboration with Sartle. Sartle encourages you to see art history differently, and they have a plethora of incredibly fun and informative videos, blog posts, and articles on their website.
ArtCurious is sponsored by Anchorlight, an interdisciplinary creative space, founded with the intent of fostering artists, designers, and craftspeople at varying stages of their development. Home to artist studios, residency opportunities, and exhibition space Anchorlight encourages mentorship and the cross-pollination of skills among creatives in the Triangle.
Additional music credits
"Western Tanager" by Chad Crouch is licensed under BY-NC 3.0; "Not the end" by Alan Špiljak is licensed under BY-NC-ND 4.0; "More Than Friendship - Geglaettet (ID 814)" by Lobo Loco is licensed under BY-NC-ND 4.0; "Fuzzy Lines" by Yan Terrian is licensed under BY-SA 4.0; "Full of Stars" by Philipp Weigl is licensed under BY 4.0; "Phase 1" by Xylo-Ziko is licensed under BY-NC-SA 4.0; "Whimsical Theme #2" by David Hilowitz is licensed under BY-NC 4.0; Ad Music: "Repeater Station - Observation (ID 204)" by Lobo Loco is licensed under BY-NC-ND 4.0; "Electric Silence" by Unheard Music Concepts is licensed under BY 4.0
Links and further resources
Memoirs of the Life of John Constable, C.R. Leslie
John Constable: A Kingdom of His Own, Anthony Bailey
The Life of J.M.W. Turner, Volume 2, Walter Thornbury
Standing in the Sun: A Life of JMW Turner, Anthony Bailey
Joseph Mallord William Turner, Self-Portrait, c. 1799
John Constable, Self-Portrait, c. 1799-1804
John Constable, The Hay Wain, 1821
JMW Turner, Rain, Steam and Speed, 1844
John Constable, The Opening of Waterloo Bridge, 1832
JMW Turner, Helvoetsluys, 1832
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