Driving Through the Pandemic
20 min

It feels like a lifetime since the coronavirus pandemic transformed Americans’ daily lives, seven months ago, and fatigue is setting in even as the disease ravages new regions. The staff writer Jennifer Gonnerman talked with one of the people who has a unique perspective on those terrifying first weeks when the world seemed to be ending. Terence Layne is a bus operator for New York’s Metropolitan Transportation Authority and a chief shop steward for the Transport Workers Union. The city’s transit workers were among the hardest hit of all essential workers, and over a hundred and twenty M.T.A. employees have died from the virus. Yet Layne kept showing up for his shift, day after day, even as the city streets went quiet. 

Jennifer Gonnerman wrote about Terence Layne in the August 31, 2020, issue of the magazine.

Worldly
Worldly
Vox
Fewer troops, forever wars
Alex and Jen discuss President Trump’s decision to draw down the number of US troops in Afghanistan and Iraq. They explain the slapdash announcement and rushed plan, and the inherent tensions between wanting to end a long war and America’s responsibility to the people of the countries it has invaded. The gang also turns to what Trump’s Pentagon shake-up really means, and what President-elect Joe Biden should prepare to inherit in January. References: The US is drawing down troops in Afghanistan and Iraq. Trump has promised to bring troops home by Christmas. He didn’t quite get that, even with a new Pentagon chief. The big question: Will these withdrawals box Biden in on foreign policy? Trump has also appointed a lot of loyalists to the Pentagon recently. Shake-ups could reshape foreign policy in the last months of Trump’s term. And maybe remake the federal bureaucracy. Here’s Trump Inc.’s investigation. Hosts: Jennifer Williams (@jenn_ruth), senior foreign editor, Vox Alex Ward (@AlexWardVox), national security reporter, Vox Jen Kirby (@j_kirby1), foreign reporter, Vox   Consider contributing to Vox: If you value Worldly’s work, please consider making a contribution to Vox: bit.ly/givepodcasts   More to explore: Subscribe for free to Today, Explained, Vox’s daily podcast to help you understand the news, hosted by Sean Rameswaram.   About Vox: Vox is a news network that helps you cut through the noise and understand what's really driving the events in the headlines.   Follow Us: Vox.com  Newsletter: Vox Sentences  Learn more about your ad choices. Visit megaphone.fm/adchoices
42 min
The Ezra Klein Show
The Ezra Klein Show
Vox
The most important book I've read this year
If I could get policymakers, and citizens, everywhere to read just one book this year, it would be Kim Stanley Robinson’s The Ministry for the Future.  Best known for the Mars trilogy, Robinson is one of the greatest living science fiction writers. And in recent years, he's become the greatest writers of what people now call cli-fi — climate fiction. The name is a bit of a misnomer: Climate fiction is less fictitious speculation than an attempt to envision a near future that we are likely to inhabit. It’s an attempt to take our present — and thus the future we’re ensuring — more seriously than we currently do. Robinson’s new book does exactly that.  In The Ministry for the Future, Robinson imagines a world wracked by climate catastrophe. Some nations begin unilateral geoengineering. Eco-violence arises, as people begin to begin experience unchecked climate change as an act of war against them, and they respond in kind, using new technologies to hunt those they blame. Capitalism ruptures, changes, and is remade. Nations, and the relations between them, transform. Ultimately, humanity is successful, but it is a terrifying success — a success that involves making the kinds of choices that none of us want to even think about making.  This conversation with Robinson was fantastic. We discuss why the end of the world is easier to imagine than the end of capitalism; how changes to the biosphere will force humanity to rethink capitalism, borders, terrorism, and currency; the influence of eco-Marxism on Robinson’s thinking; how existing power relationships define the boundaries of what is considered violence; why science-fiction as a discipline is particularly suited to grapple with climate change; what a complete rethinking of the entire global economic system could look like; why Robinson thinks geoengineering needs to be on the table; the vastly underrated importance of the Paris Climate Agreement; and much more. References: "'There is no planet B': the best books to help us navigate the next 50 years" by Kim Stanley Robinson My conversation on geoengineering with Jane Flegal The Ezra Klein Show climate change series Book recommendations: Unsheltered by Barbara Kingsolver  The Arrest by Jonathan Lethem  Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk Credits: Producer/Audio engineer - Jeff Geld Researcher - Roge Karma Please consider making a contribution to Vox to support this show: bit.ly/givepodcasts Your support will help us keep having ambitious conversations about big ideas. New to the show? Want to check out Ezra’s favorite episodes? Check out the Ezra Klein Show beginner’s guide (http://bit.ly/EKSbeginhere) Want to contact the show? Reach out at ezrakleinshow@vox.com Learn more about your ad choices. Visit megaphone.fm/adchoices
1 hr 37 min
Science Friday
Science Friday
Science Friday and WNYC Studios
Ig Nobel Prizes, Koji Alchemy. Nov 27, 2020, Part 2
Laugh Along At Home With The Ig Nobel Awards We know traditions are different this year. Maybe you’re having a small family dinner instead of a huge gathering. Maybe you’re just hopping on a video call instead of going over the river and through the woods. At Science Friday, our holiday tradition of broadcasting highlights from the annual Ig Nobel Awards ceremony is different this year too. Rather than being recorded live in front of a cheering crowd at Harvard’s Sanders Theater, the ceremony was virtual this year. But one thing remains the same—awards went to a bunch of genuine scientists for research that first makes you laugh, then makes you think. This year marks the ceremony’s 30th anniversary. Marc Abrahams, editor of the science humor magazine Annals of Improbable Research and master of ceremonies for the awards, joins Ira to talk about Ig Nobel history, and to share highlights from this year’s winners. Koji: The Mold You Want In Your Kitchen When chef Jeremy Umansky grows a batch of Aspergillus oryzae, a cultured mold also known as koji, in a tray of rice, he says he’s “bewitched” by its fluffy white texture and tantalizing floral smells. When professional mechanical engineer and koji hobbyist Rich Shih thinks about the versatility of koji, from traditional Japanese sake to cured meats, he says, “It blows my mind.” Koji-inoculated starches are crucial in centuries-old Asian foods like soy sauce and miso—and, now, inspiring new and creative twists from modern culinary minds. And Shih and Umansky, the two food fanatics, have written a new book describing the near-magical workings of the fungus, which, like other molds, uses enzymes to break starches, fats, and proteins down into food for itself. It just so happens that, in the process, it’s making our food tastier. You can grow koji on grains, vegetables, and other starchy foods, and make sauces, pastes, alcohols, and vinegars. Even cure meats. Umansky and Shih say the possibilities are endless—and they have the koji pastrami and umami popcorn to prove it. Plus, Urmansky and Shih share some of their favorite koji-inspired holiday dishes and leftover recipes—from turkey amino spreads to cranberry sauce amazake to soy sauce-infused whipped cream. Read more on Science Friday!
47 min
Sway
Sway
New York Times Opinion
In Hollywood, Women Are Seen as ‘a Risk’
Marielle Heller had her big acting break in “The Queens Gambit,” a chess drama that has already been viewed on Netflix by over 60 million households. But prior to her performance as Alma Wheatley, Ms. Heller was already a big name — off the screen. She directed award-winning films like 2019’s “A Beautiful Day in the Neighborhood” and 2018’s “Can You Ever Forgive Me?” Female directors remain a minority in the U.S. film industry, and Ms. Heller has spent her career navigating what she describes as a male-dominated Hollywood “machine.” “I do think there’s a weird stigma where people probably think that female directors are a risk,” Ms. Heller says, explaining that people “watch a male director make one little indie that comes out of Sundance and they go, ‘I see potential in that kid.’ And then they watch a female director come out of Sundance and make one little indie and they go: ‘That was excellent. I’ll wait to see her next movie to see if she gets a job.’” In this episode of “Sway,” Ms. Heller and Kara Swisher discuss what it’s like to be “difficult” women, why Hollywood lets Tony Soprano get away with murder but worries that female characters are “unlikable,” and how Ms. Heller — despite all her directorial acclaim — still gets offered 30 to 40 percent less pay than men who do the same job. You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.
35 min
More episodes
Search
Clear search
Close search
Google apps
Main menu